Polyptych of the Adoration of the Child, funded by the Prokendorff family, Master of the Polyptych of the Annunciation with the Unicorn creator, repossession, Prockendorf family, Joseph St., Adoration of the Child iconography, medieval art, ca. 1480 Luchs dates it to 1470–1490; Mayer attributes the figurative representations of the wings to a workshop apprentice and states the retable was funded by Johannes Prockendorf in 1480–1484—supported by the absence of his son's wife's coat of arms, who married in 1485; Brauner Wiese ca. 1470; Ziomecka suggests early 1470s; mention of foundation by Caspar Prockendorf dated 1481, Wroclaw St. Elizabeth's Church, altar, height 191 cm, width 314 cm, A carved wooden triptych with painted inner panels and sculpted central figures is pictured against a gray background, showing a central compartment framed in gold with ornate gilt tracery along the top, a patterned backdrop, and a small structure suggesting a stable; inside are two carved figures with f...
Caption

Polyptych of the Adoration of the Child, funded by the Prokendorff family, Master of the Polyptych of the Annunciation with the Unicorn creator, repossession, Prockendorf family, Joseph St., Adoration of the Child iconography, medieval art, ca. 1480 Luchs dates it to 1470–1490; Mayer attributes the figurative representations of the wings to a workshop apprentice and states the retable was funded by Johannes Prockendorf in 1480–1484—supported by the absence of his son's wife's coat of arms, who married in 1485; Brauner Wiese ca. 1470; Ziomecka suggests early 1470s; mention of foundation by Caspar Prockendorf dated 1481, Wroclaw St. Elizabeth's Church, altar, height 191 cm, width 314 cm, A carved wooden triptych with painted inner panels and sculpted central figures is pictured against a gray background, showing a central compartment framed in gold with ornate gilt tracery along the top, a patterned backdrop, and a small structure suggesting a stable; inside are two carved figures with folded hands wearing robes in black and gold, and a group of smaller angelic figures above them, with a small animal figure at their feet. The side wings are open and display painted standing figures on green and red backgrounds, with decorative borders and additional carved figures in the wing recesses; visible colors include gold, black, brown, green, red, beige, and gray.

Credit line

Photo12/Liszt Collection

Reference

LZT26A19_068

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Rights managed

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