Caption
Annunciation with Unicorn Polyptych, Master of the Annunciation with Unicorn Polyptych 4th quarter of the 15th century, revindication Zabkowice Slaskie, unicorns, Annunciation of Mary iconography, medieval art, masterpiece, ca. 1480 attributions: Luchs ca. 1490–1500; Schultz 3rd quarter 15th c.; Wiese connected the painted wings with the circle of the Master's workshop, dating to 1460–1470; Burgemeister ca. 1470–1480 — important Silesian winged altar; Lossow — likely one artist made sculptures and paintings around 1480, following the graphic art of M. Schongauer; the representation of Mary the Servant in the Temple is based on engraving L 61 by Master ES 1467; Stange noted dependence on the Nuremberg Master of the St. Wolfgang Altarpiece; Olszewski discussed connections with Schongauer's engravings — B9, B10, B18 as models, Wroclaw St. Elizabeth's Church, altar, A multi-paneled carved altarpiece with a central triptych flanked by two hinged wings, all surfaces covered in gilded and painted wood. The central scene features carved figures in gold and darker painted tones against a gold background, including a seated figure, a kneeling winged figure, and standing companions beneath ornate carved arches. The wings show framed narrative scenes with groups of figures in gold, dark brown, muted green, and pink pigments, arranged in stacked compartments with intricate architectural carving. The upper register includes a row of small carved figures in gold and natural wood tones, some wearing crowns, and additional standing figures occupy the side panels. A lower predella section displays small niche-separated statuettes painted in gold, blue, and dark brown. The overall palette is dominated by gold with accents of dark brown, black, muted blue, green, and touches of pink, and the whole object sits against a black background.
Credit line
Photo12/Liszt Collection
Reference
LZT26A19_065
License type
Rights managed
Available size
102.2Mb (8.0Mb) / 20.0in x 19.8in / 6000 x 5953 (300dpi)