Magical stele topped with the mask of the god Bes. Magical stele cippus depicting in the lower register a naked Horus-Child in a scene of triumph over dangerous creatures. In his right hand Horus likely holds two snakes; in his left a four-legged animal—perhaps a hyena or a lion. Horus stands on a crocodile. The depiction relates to the myth of a venomous snake attacking the infant Horus during the absence of his mother Isis; the initiator of the attack was Seth, brother of Osiris, whom young Horus later fought to avenge his father's death. The upper part of the monument depicts the face of the god Bes. Late Period–Ptolemaic Period, 664–30 BC. Stele; height 20.5 cm, width 12.5 cm., A worn rectangular wooden plank with an irregular rounded top, showing a rough, textured surface with visible grain patterns, cracks, and grooves; the wood displays shades of brown ranging from light tan to medium and dark brown, with small areas of darker near-black discoloration and weathering; the edges a...
Caption

Magical stele topped with the mask of the god Bes. Magical stele cippus depicting in the lower register a naked Horus-Child in a scene of triumph over dangerous creatures. In his right hand Horus likely holds two snakes; in his left a four-legged animal—perhaps a hyena or a lion. Horus stands on a crocodile. The depiction relates to the myth of a venomous snake attacking the infant Horus during the absence of his mother Isis; the initiator of the attack was Seth, brother of Osiris, whom young Horus later fought to avenge his father's death. The upper part of the monument depicts the face of the god Bes. Late Period–Ptolemaic Period, 664–30 BC. Stele; height 20.5 cm, width 12.5 cm., A worn rectangular wooden plank with an irregular rounded top, showing a rough, textured surface with visible grain patterns, cracks, and grooves; the wood displays shades of brown ranging from light tan to medium and dark brown, with small areas of darker near-black discoloration and weathering; the edges are uneven and chipped, and the top has two small protrusions on either side; the plank stands against a neutral light gray background and rests on a smooth, slightly reflective surface.

Credit line

Photo12/Liszt Collection

Reference

LZT26A18_159

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Rights managed

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