Tomb of Boleslaw the Brave in Osjak, lithograph by Ignaz Bergmann after Gabriel Charton's lithographic workshop, 1818. Signed: Impr. Litogr. chez G. Charton a Geneve left and J. Bergmann fc. 1818 right. Line drawing printed at the Lithographic Workshop of Gabriel Charton in Geneva. Depicts the alleged tombstone of Boleslaw II the Brave 1039–1081. According to a legend first recorded by Maciej of Miechów in 1521, after the murder of St. Stanislaus Boleslaw lived in penance as a silent monk in Osjak; the tomb adjacent to the church bears the inscription Boleslaus Poloniae occisor sancti Stanislaviae Cracoviensis and the remains of an 11th-century knight were found within. 1818, Geneva; print graphic print; height 32.8 cm, width 24.2 cm., A large off-white sheet with a central rectangular framed drawing showing a decorative panel and a lower plaque; the framed panel contains a tall central figure flanked by several oval vignettes and ornamental scrollwork, all rendered in fine black linew...
Caption

Tomb of Boleslaw the Brave in Osjak, lithograph by Ignaz Bergmann after Gabriel Charton's lithographic workshop, 1818. Signed: Impr. Litogr. chez G. Charton a Geneve left and J. Bergmann fc. 1818 right. Line drawing printed at the Lithographic Workshop of Gabriel Charton in Geneva. Depicts the alleged tombstone of Boleslaw II the Brave 1039–1081. According to a legend first recorded by Maciej of Miechów in 1521, after the murder of St. Stanislaus Boleslaw lived in penance as a silent monk in Osjak; the tomb adjacent to the church bears the inscription Boleslaus Poloniae occisor sancti Stanislaviae Cracoviensis and the remains of an 11th-century knight were found within. 1818, Geneva; print graphic print; height 32.8 cm, width 24.2 cm., A large off-white sheet with a central rectangular framed drawing showing a decorative panel and a lower plaque; the framed panel contains a tall central figure flanked by several oval vignettes and ornamental scrollwork, all rendered in fine black linework; beneath the panel is a rectangular plaque with a line drawing of a horse on a raised base and a bordered surround; to the left of the framed drawing is a rough vertical stone wall depicted with irregular blocks; the entire composition is outlined with a thin rectangular border and the visible colors are off-white paper, black line drawing, and small pale discolorations in tan.

Credit line

Photo12/Liszt Collection

Reference

LZT26A06_318

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