Urn with a depiction of swans, unknown Roman workshop. Sepulchral funerary architecture. Main plate: trapezoidal urn tapering toward the top, placed on a profiled base. Front decoration sparse; main surface occupied by a tabula ansata with palmette-decorated ears. Below the inscription field are two swans in deep relief, facing each other with strongly arched necks and outstretched wings touching the inscription frame. Upper part crowned by a profiled cornice; rectangular protrusion on the inner upper edge used to secure the lid. Side walls: no decoration. Metal pins visible under the cornice on both sides. Lid: original missing, currently fitted with a different lid. Dated to the 2nd half of the 1st century AD probably 3rd quarter of the 1st century AD — Roman Empire 27 BC–476. Place of origin/find: Rome. Urn Roman. Weight: 45.5 kg., A rectangular stone structure with a carved lid rests on a flat base, showing a weathered pale surface in shades of white, light gray, cream, and hints o...
Caption

Urn with a depiction of swans, unknown Roman workshop. Sepulchral funerary architecture. Main plate: trapezoidal urn tapering toward the top, placed on a profiled base. Front decoration sparse; main surface occupied by a tabula ansata with palmette-decorated ears. Below the inscription field are two swans in deep relief, facing each other with strongly arched necks and outstretched wings touching the inscription frame. Upper part crowned by a profiled cornice; rectangular protrusion on the inner upper edge used to secure the lid. Side walls: no decoration. Metal pins visible under the cornice on both sides. Lid: original missing, currently fitted with a different lid. Dated to the 2nd half of the 1st century AD probably 3rd quarter of the 1st century AD — Roman Empire 27 BC–476. Place of origin/find: Rome. Urn Roman. Weight: 45.5 kg., A rectangular stone structure with a carved lid rests on a flat base, showing a weathered pale surface in shades of white, light gray, cream, and hints of yellow-green; the lid has carved rounded decorative motifs and a slight darker discoloration in places, while the front face is mostly smooth with subtle veining and mottled texture in gray and soft beige tones; a small dark irregular metal or stone fixture is centered near the top edge, and the base and edges show worn, rougher areas with variations of off-white and muted gray.

Credit line

Photo12/Liszt Collection

Reference

LZT26A03_371

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