“The Last Supper”, fresco (453 × 975 cm) by Andrea del Castagno, about 1447, preserved on the west wall of the refectory of the monastery of Sant'Apollonia in Florence, now the museum of the Cenacle of Sant'Apollonia. Detail of Saint Thomas who appears depicted in an attitude of clear skepticism, with his head turned upwards and his hand on his chin to support him: this is, in fact, the apostle who in the Gospel affirms his need to see to believe. Museo del Cenacolo di Sant'Apoll, Firenze (FI) - Florence, Toscana - Tuscany, Italia - Italy
Caption


“The Last Supper”, fresco (453 × 975 cm) by Andrea del Castagno, about 1447, preserved on the west wall of the refectory of the monastery of Sant'Apollonia in Florence, now the museum of the Cenacle of Sant'Apollonia. Detail of Saint Thomas who appears depicted in an attitude of clear skepticism, with his head turned upwards and his hand on his chin to support him: this is, in fact, the apostle who in the Gospel affirms his need to see to believe.
Museo del Cenacolo di Sant'Apoll, Firenze (FI) - Florence, Toscana - Tuscany, Italia - Italy

Date

Jan 12, 2022

Credit line

Ghigo Roli/Photo12

Reference

GHR26A00_216

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Rights managed

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154.9Mb (11.6Mb) / 20.0in x 30.0in / 6010 x 9011 (300dpi)

Keywords

Italy Tuscany Florence Religion Christianity Last Supper Cenacle Refectory Monastery Art Artwork Painting Fresco Andrea del Castagno Andrea di Bartolo di Simone Quattrocento 15th Century Rinascimento Renaissance Apostle Saint St. Thomas Scepticism Incredulity

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