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Pan terrifies a shepherd (Panic Horror), 1859, oil on canvas, 78 x 63.8 cm, Unmarked, Arnold

LZT20A49_025

Pan terrifies a shepherd (Panic Horror), 1859, oil...

Portrait of Jakob Mähly as a student, 1848, oil on canvas, 32.6 x 24.4 cm, monogrammed and dated on

LZT20A50_339

Portrait of Jakob Mähly as a student, 1848, oil on...

The Megalithic Tomb, 1847, oil on canvas, 60.2 x 77.5 cm, signed lower left: A. Böcklin, Arnold

LZT20A49_135

The Megalithic Tomb, 1847, oil on canvas, 60.2 x 7...

Greenhouse, 1939, oil on canvas, 150.5 x 180 cm, signed and dated lower right: Wiemken., 39, Walter

LZT20A49_232

Greenhouse, 1939, oil on canvas, 150.5 x 180 cm, s...

La suite, 1932, tempera and oil on paper, 75 x 63 cm, not specified, Walter Kurt Wiemken, Basel

LZT20A49_271

La suite, 1932, tempera and oil on paper, 75 x 63 ...

Evening on the Seine, 1930, oil on board, 33 x 41 cm, not marked, Walter Kurt Wiemken, Basel

LZT20A49_278

Evening on the Seine, 1930, oil on board, 33 x 41 ...

Selfportrait, 1939, oil on canvas, 125 x 100 cm, unmarked, Walter Kurt Wiemken, Basel 1907–1941 bei

LZT20A51_074

Selfportrait, 1939, oil on canvas, 125 x 100 cm, u...

High mountain landscape with chamois, c. 1849, oil on canvas, 32.5 x 41 cm, unsigned, Arnold

LZT20A49_024

High mountain landscape with chamois, c. 1849, oil...

The White Elephants, 1931, oil on canvas, 65 x 81 cm, signed on the reverse: W.K., Wiemken, .,

LZT20A49_270

The White Elephants, 1931, oil on canvas, 65 x 81 ...

Harlequin, 1925, oil on cardboard, 36.5 x 24 cm, monogrammed and dated lower right: W.K.W, 25.,

LZT20A49_279

Harlequin, 1925, oil on cardboard, 36.5 x 24 cm, m...

Old Roman wine tavern, c. 1866, tempera on canvas, 44.2 x 62.4 cm, signed lower left: A Böcklin f

LZT20A50_341

Old Roman wine tavern, c. 1866, tempera on canvas,...

Forest Landscape with Resting Pan, c. 1855, oil on canvas, 89.8 x 75.2 cm, signed lower right: A.

LZT20A50_350

Forest Landscape with Resting Pan, c. 1855, oil on...

Interrelations (mural design for the left stairwell in the main building of the Basel Mustermesse),

LZT20A49_269

Interrelations (mural design for the left stairwel...

Old Woman in the Greenhouse, 1936, oil on canvas, 100 x 82 cm, signed and dated lower right: W.K.,

LZT20A49_280

Old Woman in the Greenhouse, 1936, oil on canvas, ...

Reed, 1845, oil on canvas, mounted on cardboard, 14.8 x 26 cm, monogrammed and dated lower left: A.

LZT20A49_347

Reed, 1845, oil on canvas, mounted on cardboard, 1...

Head of a Roman, 1863, canvas, 46.5 x 36.5 cm, signed upper right in red: ABöcklin., [, Ligated, ],

LZT20A50_340

Head of a Roman, 1863, canvas, 46.5 x 36.5 cm, sig...

Portrait Angela Böcklin as Muse, 1863, oil on canvas, 70 x 57.5 cm, monogrammed top right: A B.,

LZT20A50_351

Portrait Angela Böcklin as Muse, 1863, oil on canv...

The Night, 1940, oil on canvas, 115 x 80 cm, signed and dated lower right: Wiemken 40, Walter Kurt

LZT20A49_268

The Night, 1940, oil on canvas, 115 x 80 cm, signe...

Sappho, 1862, wax paint on canvas, 56.5 x 45.5 cm, inscribed lower right: A. Böcklin pinx.t

LZT20A50_343

Sappho, 1862, wax paint on canvas, 56.5 x 45.5 cm,...

Brothel Scene, 1931, oil on canvas, 60 x 73 cm, signed and dated on the reverse: W.K.Wiemken, 31.,

LZT20A49_275

Brothel Scene, 1931, oil on canvas, 60 x 73 cm, si...

Mountain lake with seagulls, 1847, oil on canvas, 45.6 x 64.7 cm, not marked, Arnold Böcklin, Basel

LZT20A50_342

Mountain lake with seagulls, 1847, oil on canvas, ...

View from Fort Miradou near Collioure, 1932, oil on canvas, 60 x 73.5 cm, signed lower right: W.K.,

LZT20A49_274

View from Fort Miradou near Collioure, 1932, oil o...

Portrait of Alexander Michelis, 1846, oil on cardboard, 33 x 31.1 cm, dated top right, incised: 46

LZT20A50_336

Portrait of Alexander Michelis, 1846, oil on cardb...

Recirculation, 1940, mixed media on canvas, 135.5 x 237.5 cm, unmarked, Walter Kurt Wiemken, Basel

LZT20A49_230

Recirculation, 1940, mixed media on canvas, 135.5 ...

Cross section through a house, 1931, oil on canvas, 77.5 x 61 cm, unmarked, Walter Kurt Wiemken,

LZT20A49_273

Cross section through a house, 1931, oil on canvas...

Portrait of Jacopo Sannazaro, oil on canvas, 58 x 45 cm, unmarked., Down on the parapet: ACCIVS

LZT20A51_002

Portrait of Jacopo Sannazaro, oil on canvas, 58 x ...

Michele Giovanni Marieschi, Italian, 1696-1743, Piazza San Marco, ca. 1741, etching printed in

LZT20A55_492

Michele Giovanni Marieschi, Italian, 1696-1743, Pi...

The Hunt of Diana, 1862, oil on canvas, 188.5 x 345 cm, signed lower right: Böcklin pinx.t

LZT20A50_326

The Hunt of Diana, 1862, oil on canvas, 188.5 x 34...

Portrait Ursula Böcklin-Lippe, mother of the artist, 1846, oil on canvas, 55.5 x 46 cm, monogrammed

LZT20A50_344

Portrait Ursula Böcklin-Lippe, mother of the artis...

Jacob von Sandrart, German, 1630-1708, after Joachim von Sandrart I, German, 1606-1688, Portraits

LZT20A53_494

Jacob von Sandrart, German, 1630-1708, after Joach...

Life, 1935, oil on canvas, 180.5 x 125 cm, signed and dated lower right: Wiemken, 1935, Walter Kurt

LZT20A49_231

Life, 1935, oil on canvas, 180.5 x 125 cm, signed ...

Still Life with Lemon and Grape, 1929, oil on canvas, 64.5 x 81 cm, unmarked, Walter Kurt Wiemken,

LZT20A49_272

Still Life with Lemon and Grape, 1929, oil on canv...

River Landscape, (c. 1765-1768), feather in dark brown and brush in brown, brown washed over traces

LZT20A51_473

River Landscape, (c. 1765-1768), feather in dark b...

The Spring [sketch], 1862, oil on canvas, 33.4 x 56.9 cm, unmarked, Arnold Böcklin, Basel 1827–1901

LZT20A49_138

The Spring [sketch], 1862, oil on canvas, 33.4 x 5...

Portrait Louisa Schmid, 1849, oil on canvas, 46 x 38 cm, signed lower left: A. Böcklin, 1849,

LZT20A49_351

Portrait Louisa Schmid, 1849, oil on canvas, 46 x ...

Portrait Wilhelmine Wiggenhauser (Widowed Lippe-Hull), Aunt of the Artist, 1849, oil on canvas, 35

LZT20A49_350

Portrait Wilhelmine Wiggenhauser (Widowed Lippe-Hu...

Landscape at sunset, 1849, oil on canvas, 21.4 x 27.1 cm, Inscribed on the reverse: 13 febr 1850.

LZT20A49_349

Landscape at sunset, 1849, oil on canvas, 21.4 x 2...

Girl in the Garden, 1929, oil on canvas, 36 x 46 cm, unmarked, Walter Kurt Wiemken, Basel 1907–1941

LZT20A49_277

Girl in the Garden, 1929, oil on canvas, 36 x 46 c...

Septi [?] Onij, quod Septimius senerus Imp. [...] (The Septizonium), etching with copperplate,

LZT20A52_048

Septi [?] Onij, quod Septimius senerus Imp. [...] ...

Landscape near Palestrina, 1853, oil on canvas, 16 x 24.4 cm, unsigned, Arnold Böcklin, Basel

LZT20A49_348

Landscape near Palestrina, 1853, oil on canvas, 16...

Selfportrait, 1862, oil on mahogany, 39.5 x 31 cm, unmarked, Arnold Böcklin, Basel 1827–1901 San

LZT20A49_267

Selfportrait, 1862, oil on mahogany, 39.5 x 31 cm,...

View from the battery on Basel, 1940, tempera and oil over ink (pen) on paper, on pavatex, 28.5 x

LZT20A49_276

View from the battery on Basel, 1940, tempera and ...

Landscape with Ruins, oil on canvas, 56.5 x 80.5 cm, unsigned, Jakob Philipp Hackert, (Kopie nach

LZT20A48_097

Landscape with Ruins, oil on canvas, 56.5 x 80.5 c...

Figure with umbrella, seen from behind, 1866/69, black chalk and heights with white chalk on brown

LZT20A52_422

Figure with umbrella, seen from behind, 1866/69, b...

The Abandoned Venus, c. 1860, oil on canvas, 120 x 95 cm, unsigned, Arnold Böcklin, Basel 1827–1901

LZT20A49_137

The Abandoned Venus, c. 1860, oil on canvas, 120 x...

Wildlife Fir, 1849, oil on canvas, 76.8 x 74.6 cm, Not specified, Arnold Böcklin, Basel 1827–1901

LZT20A49_353

Wildlife Fir, 1849, oil on canvas, 76.8 x 74.6 cm,...

The Morning, 1939, oil on canvas, 80 x 156 cm, signed and dated lower right: Wiemken, 39, Walter

LZT20A51_067

The Morning, 1939, oil on canvas, 80 x 156 cm, sig...

Mountain Landscape with Waterfall, c. 1849, oil on canvas, 32.8 x 40.8 cm, unsigned, Arnold

LZT20A49_136

Mountain Landscape with Waterfall, c. 1849, oil on...

Black Flags, 1939, oil on canvas, 150 x 100.5 cm, unmarked, Walter Kurt Wiemken, Basel 1907–1941

LZT20A49_242

Black Flags, 1939, oil on canvas, 150 x 100.5 cm, ...

Rocky slope with weather firs, c. 1849, oil on canvas, 39.1 x 54.4 cm, signed lower left: A.

LZT20A49_352

Rocky slope with weather firs, c. 1849, oil on can...

Roman Campagna with distant view of San Pietro in Montorio, 1827, pen over pencil on brownish

LZT20A51_452

Roman Campagna with distant view of San Pietro in ...

San Francisco, 1855–56, Charles Meryon (French, 1821-1868), printed by Auguste Delâtre (French,

LZT20A17_381

San Francisco, 1855–56, Charles Meryon (French, 18...

San Biagio, 1880, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint

LZT20A22_213

San Biagio, 1880, James McNeill Whistler, American...

Bacino di San Marco with the Dogana del Mare and Santa Maria della Salute, c. 1793, Francesco

LZT20A23_250

Bacino di San Marco with the Dogana del Mare and S...

San Giorgio Maggiore, n.d., Giovanni Battista Brustolini, Italian, 1712-1796, Italy, Etching and

LZT20A34_396

San Giorgio Maggiore, n.d., Giovanni Battista Brus...

San Francisco, 1855–56, Charles Meryon (French, 1821-1868), printed by Auguste Delâtre (French,

LZT20A01_205

San Francisco, 1855–56, Charles Meryon (French, 18...

Nor do these, plate eleven from The Disasters of War, 1810/15, published 1863, Francisco José de

LZT20A03_366

Nor do these, plate eleven from The Disasters of W...

Warbler Wood Carvings and Clams of Kameido (Kameido san Uguisu ki shijimi), section of a sheet from

LZT20A25_122

Warbler Wood Carvings and Clams of Kameido (Kameid...

A View in San Lorenzo Fuori le Mura, Rome, c. 1820, Gustav Friedrich Hetsch, German, 1788-1864,

LZT20A42_475

A View in San Lorenzo Fuori le Mura, Rome, c. 1820...

San Trovasso Canal, 1885, Frank Duveneck, American, 1848-1919, United States, Etching on cream

LZT20A02_483

San Trovasso Canal, 1885, Frank Duveneck, American...

San Carlo Borromeo Adoring an Image of the Birth of the Virgin, 1684/87, Sigismondo Caula, Italian,

LZT20A07_163

San Carlo Borromeo Adoring an Image of the Birth o...

San Marco, 1880/ 1882, Otto Henry Bacher, American, 1856-1909, United States, Etching in black on

LZT20A24_096

San Marco, 1880/ 1882, Otto Henry Bacher, American...

Réjane and Galipaux, in Madame Sans-Gêne, 1893, Henri de Toulouse-Lautrec, French, 1864-1901,

LZT20A27_071

Réjane and Galipaux, in Madame Sans-Gêne, 1893, He...

Oakland Wharf, from Powell and California Streets, San Francisco, California, 1870/76, John J.

LZT20A34_358

Oakland Wharf, from Powell and California Streets,...

Study for San Francisco, far left section, 1855–56, Charles Meryon, French, 1821-1868, France,

LZT20A01_195

Study for San Francisco, far left section, 1855–56...

The Compound on Mount Narita, Shimosa Province (Shimosa narita-san keidai, from the series One

LZT20A36_291

The Compound on Mount Narita, Shimosa Province (Sh...

Jules Hardouin Mansart, 1704, Gérard Edelinck (French, born Flanders, 1640-1707), after Hyacinthe

LZT20A16_372

Jules Hardouin Mansart, 1704, Gérard Edelinck (Fre...

Cactus Gigantea, 18 feet high, San Jose, Santa Clara County, c. 1868, Thomas Houseworth & Co.,

LZT20A34_349

Cactus Gigantea, 18 feet high, San Jose, Santa Cla...

Judith with the Head of Holofernes, n.d., Marco San Martino, Italian, 1615/25-1680/1700, Italy,

LZT20A43_101

Judith with the Head of Holofernes, n.d., Marco Sa...

Christ Child: Study for the Madonna di San Giovanni, c. 1565, Federico Barocci, Italian, c.

LZT20A36_240

Christ Child: Study for the Madonna di San Giovann...

Piazza San Marco, 1883, Frank Duveneck, American, 1848-1919, United States, Etching, with drypoint,

LZT20A02_477

Piazza San Marco, 1883, Frank Duveneck, American, ...

San Francisco Bay, c. 1860/69, Carleton Watkins, American, 1829–1916, United States, Albumen print,

LZT20A38_123

San Francisco Bay, c. 1860/69, Carleton Watkins, A...

The Cloisters, San Lorenzo fuori le mura, 1824, Christoffer Wilhelm Eckersberg, Danish, 1783-1853,

LZT20A35_357

The Cloisters, San Lorenzo fuori le mura, 1824, Ch...

View of San Miniato and San Francesco al Monte Outside Florence, n.d., Valerio Spada, Italian,

LZT20A07_412

View of San Miniato and San Francesco al Monte Out...

The Cloister of San Lorenzo Fuori le Mura, Rome, 1827, Unknown Artist, German or Scandinavian, 19th

LZT20A42_482

The Cloister of San Lorenzo Fuori le Mura, Rome, 1...

Saint Michael and San Giovanni Gualberto, late 16th century, After Andrea del Sarto, Italian,

LZT20A06_291

Saint Michael and San Giovanni Gualberto, late 16t...

Towers of San Gimignano, Outside theWalls, 1883, Joseph Pennell, American, 1857-1926, United

LZT20A24_066

Towers of San Gimignano, Outside theWalls, 1883, J...

Et que des yeux sans tete flottaient comme des mollusques, plate XIII of Tentation de St. Antoine,

LZT20A04_166

Et que des yeux sans tete flottaient comme des mol...

Saint John the Baptist and San Bernardo degli Uberti, late 16th century, After Andrea del Sarto,

LZT20A07_285

Saint John the Baptist and San Bernardo degli Uber...

Cactus Giganta, San Jose, 1864, Lawrence & Houseworth, American, active 1860s, United States,

LZT20A31_206

Cactus Giganta, San Jose, 1864, Lawrence & Housewo...

Heavier than a Dead Donkey, plate 1 from Los Proverbios, 1815–17, published 1864, Francisco José de

LZT20A17_007

Heavier than a Dead Donkey, plate 1 from Los Prove...

Study for San Francisco, far right section, 1855–56, Charles Meryon, French, 1821-1868, France,

LZT20A01_196

Study for San Francisco, far right section, 1855–5...

Three Beauties of Our Time (Tosei san bijin), n.d., Chokosai Eisho, Japanese, active 1780-1800,

LZT20A19_158

Three Beauties of Our Time (Tosei san bijin), n.d....

Man Tugging on Sheet: Study for the Entombment [Sacristy of the Certosa di San Martino, Naples,

LZT20A08_105

Man Tugging on Sheet: Study for the Entombment [Sa...

Third Illustration of the Great Victory of Our Forces on the Yellow Sea (Kokai ni okeru wagagun no

LZT20A38_191

Third Illustration of the Great Victory of Our For...

Lost Lakes, head of Conejos Cañon, Colorado, in the Sierra San Juan range, near divide between

LZT20A28_154

Lost Lakes, head of Conejos Cañon, Colorado, in th...

O Tsuyu San, 1900, Helen Hyde, American, 1868-1919, United States, Color woodcut on cream Japanese

LZT20A03_094

O Tsuyu San, 1900, Helen Hyde, American, 1868-1919...

View of the Villa Medici and Sta Trinità dei Monti from Ingres’s Studio in the Pavillon San

LZT20A40_460

View of the Villa Medici and Sta Trinità dei Monti...

View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian outside the Walls] on the

LZT20A17_442

View of the Basilica of San Sebastiano fuori delle...

Set of Three, Love Birds in Three Kinds of Music (Sampukutsui hiyoku no san kyoku), c. 1748,

LZT20A11_163

Set of Three, Love Birds in Three Kinds of Music (...

San Francisco, c. 1850, after daguerreotypes attributed to Carleton Watkins, American, 19th

LZT20A01_193

San Francisco, c. 1850, after daguerreotypes attri...

Trinity with the Virgin, and Ten Saints, c. 1565, Tommaso Manzuoli, called Maso da San Friano,

LZT20A08_397

Trinity with the Virgin, and Ten Saints, c. 1565, ...

Réjane and Galipaux, in Madame Sans-Gêne, 1893, Henri de Toulouse-Lautrec, French, 1864-1901,

LZT20A19_065

Réjane and Galipaux, in Madame Sans-Gêne, 1893, He...

San Biagio, 1880, James McNeill Whistler, American, 1834-1903, United States, Etching and drypoint

LZT20A22_410

San Biagio, 1880, James McNeill Whistler, American...

A Way of Flying, from Disparates, published as plate 13 in Los Proverbios (Proverbs), 1815–17,

LZT20A17_023

A Way of Flying, from Disparates, published as pla...

No. 3: Zhang Fei (Sono san: Chohi), from the series Three Heroes of Shu (Shoku sanketsu), c. 1824,

LZT20A12_479

No. 3: Zhang Fei (Sono san: Chohi), from the serie...

Monastery of San Francesco in the Sabine Mountains, 1810, Joseph Anton Koch, German, 1768-1839,

LZT20A43_235

Monastery of San Francesco in the Sabine Mountains...

San Francisco, 1855–56, Charles Meryon (French, 1821-1868), printed by Auguste Delâtre (French,

LZT20A01_191

San Francisco, 1855–56, Charles Meryon (French, 18...

The Bridge of San Paolo, 1793, Jacob Philipp Hackert, German, 1737-1807, Germany, Pen and brown ink

LZT20A44_206

The Bridge of San Paolo, 1793, Jacob Philipp Hacke...

A Triptych of Fashionable No Plays (Furyu Utai Sambukutsui), c. late 1750s, Miyagawa Shunsui,

LZT20A12_071

A Triptych of Fashionable No Plays (Furyu Utai Sam...

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